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    © 2013 by Hilarie Ashton. All rights reserved.

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    Peer-Reviewed Publications

    "I'll come back and break your spell": Narrative Freedom and Genre in The Haunting of Hill House.” Style 52. Forthcoming 2018.

     

    “Key & Peele: Liminality and Translation.” In Hero or Villain? Essays on Dark Protagonists of Television collection. Eds. Tamara Girardi and Abigail Scheg. Forthcoming Winter 2017.

     

    “Shaping the Body of Grief: Converging the Personal, Academic, and Visual in Memoir to Create a Broader Way of Mourning.” South Atlantic Review 82.1 (Spring 2017): 22-36. 

     

    "Urban (as) Flâneur: Narrator and City in Edgardo Vega Yunqué’s The Lamentable Journey of Omaha Bigelow Into The Impenetrable Loisaida Jungle." In Latin American Studies: Critiques of Contemporary Cinema, Literatures, Politics and Revolution. Academica Press: 2012. Access PDF here.

     

    "'My Name is Johnny Cash': The Artistic Persona through Jameson and Foucault," Anamesa, New York University, Volume 7, Issue 1: 2009.

    Access PDF here.

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    Book Reviews

    Review of Chapter Five of It’s Complicated: The Social Lives of Networked Teens. With Ben Burroughs. HASTAC Scholars Collaborative Book Review. HASTAC.org: June 2014. http://tinyurl.com/p6kmw5o

     

    Review of Grunge: Music and Memory. In Journal of Popular Culture 46, vol. 1 (February 2013): 231–233. http://tinyurl.com/msdu29u

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